THE EMANCIPATION OF JOHN "QUASH" WILLIAMS, 1750
THE EMANCIPATION OF JOHN "QUASH" WILLIAMS, 1750

Mixed Media

48 x 36

SLAVE MARKET
SLAVE MARKET

Acrylic, Watercolor, Gouache, Gesso

14 x 17

Untitled
Untitled

Acrylic, Watercolor, Gesso, Gouache

8 x 10

COLONIZATION/PLANTATION ERA, HILTON HEAD ISLAND
COLONIZATION/PLANTATION ERA, HILTON HEAD ISLAND

Collage

36 x 48

ME 2
ME 2

Acrylic Mixed Media

12 x 12

INTO THE DARKNESS WE GO ( YEAR 2020)
INTO THE DARKNESS WE GO ( YEAR 2020)

Acrylic

8 x 8

'NAM
'NAM

Silkscreen print, 1972

It's interesting how pieces of old artwork show up. I had done this silkscreen in Vancouver in 1972. It floated around with me and at my parents’ house. My son saw it, wanted it and had it framed. The original title was "Her Son." But I would like to retitle it "‘Nam." It was March, 1972.. a year before the war ended. There was so much loss ..we were so tired of it..

VETRANS IN A DIFFERENT WAR
VETRANS IN A DIFFERENT WAR

Pastel

14 x 12

THE EMANCIPATION OF JOHN "QUASH" WILLIAMS, 1750
SLAVE MARKET
Untitled
COLONIZATION/PLANTATION ERA, HILTON HEAD ISLAND
ME 2
INTO THE DARKNESS WE GO ( YEAR 2020)
'NAM
VETRANS IN A DIFFERENT WAR
THE EMANCIPATION OF JOHN "QUASH" WILLIAMS, 1750

Mixed Media

48 x 36

SLAVE MARKET

Acrylic, Watercolor, Gouache, Gesso

14 x 17

Untitled

Acrylic, Watercolor, Gesso, Gouache

8 x 10

COLONIZATION/PLANTATION ERA, HILTON HEAD ISLAND

Collage

36 x 48

ME 2

Acrylic Mixed Media

12 x 12

INTO THE DARKNESS WE GO ( YEAR 2020)

Acrylic

8 x 8

'NAM

Silkscreen print, 1972

It's interesting how pieces of old artwork show up. I had done this silkscreen in Vancouver in 1972. It floated around with me and at my parents’ house. My son saw it, wanted it and had it framed. The original title was "Her Son." But I would like to retitle it "‘Nam." It was March, 1972.. a year before the war ended. There was so much loss ..we were so tired of it..

VETRANS IN A DIFFERENT WAR

Pastel

14 x 12

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